THE LIVING DEAD AT THE MANCHESTER MORGUE
(1974, Italy/Spain, aka Let Sleeping Corpses Lie, Non si deve profanare il sonno dei morti)
(1974, Italy/Spain, aka Let Sleeping Corpses Lie, Non si deve profanare il sonno dei morti)
Slow-moving undead, outbursts of graphic gore, gothic atmosphere... the next step forward from Night of the Living Dead in the evolution of zombie movies!
I was very aware of the film when it was released in the UK in 1975, because of the spread in World of Horror magazine (issue 7), which made it look rather fierce! But I only got to see it years later when it appeared on VHS, and then it didn't look so essential, with all the gore missing, a cropped aspect and a murky transfer. Since then, the film kept re-emerging in different countries, in various formats, under different titles with different amounts of uncensored gore.
Seeing the new Blue Underground Special Edition has really opened my eyes to this movie. It's now not only a great zombie movie to watch, it's really early in the 'modern zombie' timeline, that started with Night of the Living Dead. The explicit brightly-coloured gut-ripping took zombie cinema to a new level, making it essential viewing. This was notably released halfway between Night and Dawn of the Dead, stealing some of Romero's thunder, not to mention leading the Italian zombie movie genre by several years. Dare I say, I might have been less impressed with Dawn of the Dead, if I'd seen Manchester Morgue when it was released.
Instead of Night of the Living Dead's Vietnam subtext and the underlying racial conflict, the main theme of Manchester Morgue is the very wide generation gap of the seventies, where the young (well, youngish) people mistrusted authority, especially the police, and the feeling was mutual. Here the detective in charge of the murder case (Arthur Kennedy)suspects the young couple for committing Manson-style black magic ritual killings. Certainly a more plausible theory than reanimated corpses...
One of the most distracting things about Italian horrors is usually the dubbing. Here is a rare case where the revoicing improves the film. Ray Lovelock's Italian accent is replaced with a London one with a sarcastic tone that would feel at home in Shaun of the Dead. I'd really like to know who the voice actor is who dubbed him, he really helps the character. Like Al Cliver in Zombie Flesh Eaters, Lovelock (who can be seen beardless in The Cassandra Crossing) looks the part, acts the part more than convincingly, but their new voices seal the illusion that they're actually English-speaking! The combination results in a uniquely short-tempered, anti-establishment zombie fighter!
The other unusual aspect that I really love is the use of the British countryside and the city of Manchester. It's always a thrill to see classic European horror films shot in England, an honour really! The key locations of the hospital and the church are made to look like the scariest places on Earth. I'd always thought that the interiors were filmed in real buildings until I saw the DVD extras, which confirm they were actually shot in Italy.
A whole disc of DVD extras includes very watchable interviews about the making of the film and the make-up effects. There's an extensive tour of the original locations with the director himself. It's also great to finally have the film with the original UK title that I know and love (I already have the Anchor Bay edition called Let Sleeping Corpses Lie - here's a DVD Active review comparing the two releases). Blue Underground have also now released this new special edition on Blu-Ray.
An original trailer is here on youTube...
For years, Italian movies were seen as thinly-disguised remakes of popular US hits. Certainly the intention here was to remake Night of the Living Dead, (according to an interview in the DVD extras), but the result is a very different zombie movie, mostly because director Jorge Frau wanted something more original.
The result is similar in setting to Lucio Fulci's City of the Living Dead (1980) and is at times as violent as Dawn, or even Day of the Dead. But crucially Manchester Morgue predates these films by several years. This is one of the first high-strength zombie films made in colour. Only Tombs of the Blind Dead (1971) comes close for creepy and gory action, but there the undead are more skeletal than zombie.
It begins with a young man riding a bike into the British countryside for a weekend trip. Looking for directions, he encounters a farmer experimenting with machinery designed to eliminate pests from his crops. The huge gadget amplifies the insects' desire to destroy each other... Soon after a young woman wrecks his bike, and together they meet more trouble in the form of a corpse roaming the countryside...
The result is similar in setting to Lucio Fulci's City of the Living Dead (1980) and is at times as violent as Dawn, or even Day of the Dead. But crucially Manchester Morgue predates these films by several years. This is one of the first high-strength zombie films made in colour. Only Tombs of the Blind Dead (1971) comes close for creepy and gory action, but there the undead are more skeletal than zombie.
It begins with a young man riding a bike into the British countryside for a weekend trip. Looking for directions, he encounters a farmer experimenting with machinery designed to eliminate pests from his crops. The huge gadget amplifies the insects' desire to destroy each other... Soon after a young woman wrecks his bike, and together they meet more trouble in the form of a corpse roaming the countryside...
I was very aware of the film when it was released in the UK in 1975, because of the spread in World of Horror magazine (issue 7), which made it look rather fierce! But I only got to see it years later when it appeared on VHS, and then it didn't look so essential, with all the gore missing, a cropped aspect and a murky transfer. Since then, the film kept re-emerging in different countries, in various formats, under different titles with different amounts of uncensored gore.Seeing the new Blue Underground Special Edition has really opened my eyes to this movie. It's now not only a great zombie movie to watch, it's really early in the 'modern zombie' timeline, that started with Night of the Living Dead. The explicit brightly-coloured gut-ripping took zombie cinema to a new level, making it essential viewing. This was notably released halfway between Night and Dawn of the Dead, stealing some of Romero's thunder, not to mention leading the Italian zombie movie genre by several years. Dare I say, I might have been less impressed with Dawn of the Dead, if I'd seen Manchester Morgue when it was released.Instead of Night of the Living Dead's Vietnam subtext and the underlying racial conflict, the main theme of Manchester Morgue is the very wide generation gap of the seventies, where the young (well, youngish) people mistrusted authority, especially the police, and the feeling was mutual. Here the detective in charge of the murder case (Arthur Kennedy)suspects the young couple for committing Manson-style black magic ritual killings. Certainly a more plausible theory than reanimated corpses...
One of the most distracting things about Italian horrors is usually the dubbing. Here is a rare case where the revoicing improves the film. Ray Lovelock's Italian accent is replaced with a London one with a sarcastic tone that would feel at home in Shaun of the Dead. I'd really like to know who the voice actor is who dubbed him, he really helps the character. Like Al Cliver in Zombie Flesh Eaters, Lovelock (who can be seen beardless in The Cassandra Crossing) looks the part, acts the part more than convincingly, but their new voices seal the illusion that they're actually English-speaking! The combination results in a uniquely short-tempered, anti-establishment zombie fighter!The other unusual aspect that I really love is the use of the British countryside and the city of Manchester. It's always a thrill to see classic European horror films shot in England, an honour really! The key locations of the hospital and the church are made to look like the scariest places on Earth. I'd always thought that the interiors were filmed in real buildings until I saw the DVD extras, which confirm they were actually shot in Italy.
An original trailer is here on youTube...
