Here's something you don't see every day...
Three marvellous little resin figures of the silicate monsters from Island of Terror, the 1966 Peter Cushing classic, directed by Hammer maestro Terence Fisher. These suckers will extract your bone marrow while your still alive! Then divide into two quickly enough to over-run an entire island community, isolated from the mainland. This set of three figures double as fridge magnets, but don't let that put you off, the sculpting, attention to detail and paint-job is superb.
They're incredibly cheap, and you can order them from Ultratumba productions, who have also produced life-size fear-creatures from The Tingler, not to mention SpiderBatRatCrab monsters from The Angry Red Planet.
The region 2 DVD release
I haven't reviewed the film itself, because so many other people have. But I do recommend it as an earnest British monster movie, from the genre of 'Pub invasions', where most of the story's counterforce is co-ordinated from a hotel bar or pub. Night of the Big Heat, Devil Girl From Mars, The Earth Dies Screaming, and even Shaun of the Dead are also in this very British movie genre.Two silicates for the price of one - an icky screen grab from the film - a monster in the process of dividing
The fact that we never see any action actually by the coast, betrays that this wasn't shot on an island at all, but cosily near the film studios of West London, with the woods around Black Park standing in for the forest. The first few times I saw this (late night on TV of course), I fell for this trick completely - a few stock footage shots of a small boat crossing the sea, and an outdoor set with a tiny puddle of water at the edge of frame conjured up the island's port.
I also love the cast, with Edward Judd (First Men in the Moon) playing his usual, bossy, womanising hero. Carole Gray (Curse of the Fly) looking too classy and beautiful for b-movie monsters. Also, Niall MacGinnis (Night of the Demon, Jason and the Argonauts) plays a reliable double-act with scientist Peter Cushing, making the slightly silly-looking premise work much better than it should.
The rollicking soundtrack is supplemented by Barry Gray's (Thunderbirds are Go, Space 1999, UFO) unforgettable electronic sound effects, that I swear have been sampled in various high-profile dance tracks.
A recent German DVD of the film even included an old censor cut, missing from other DVD versions of the film, involving Peter Cushing's arm and an axe... I ordered mine from Amazon.de, despite the awful cover art.
Do you want to know more?
Complete plot summary with enticing video grabs here on Stomp Tokyo and here on BadMovies!
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