February 12, 2014

Flashback 1979 (part two) - MOONRAKER, ALIEN, THE BLACK HOLE, SCUM...

Continuing my look through British movie magazines published in 1979. Part 1 is here.





Always a favourite for the summer season, a new Bond movie. Moonraker was influenced by the sci-fi boom that started with Star Wars and there's even an awful in-joke referencing Close Encounters of the Third Kind. But 007 wasn't the only one to cash in. The rest of the year was dominated by outer space movies that had taken two years to get their special effects together...

Film Review, July




Film Review, July
Other summer movies include this late disco movie inspired by the dance competition of Saturday Night Fever. The Music Machine was named after the Camden nightclub (that's now Koko). Another disco dancer, another dance competition, but it's the views of 1970s' North London that I now enjoy.





Another British movie that's a little less summery. Scum burst onto the screen. Because the BBC had refused to show their 1977 version of it, the script was completely refilmed for the cinema, with many of the same cast including Ray Winstone in the lead. The main difference in this new adaption was that Carlin no longer has a male lover sharing his cell.

Films and Filming, July
There's rarely been such a violent and uncompromising British film. Scum portrays life in a boy's borstal for young offenders. The prison system complained about the film, while writer/director Alan Clarke insisted the events were all based in reality, the only licence taken was to compress the events into a single timeframe.

Films and Filming, July
While horror films had their violence and blood regularly censored, Scum packed many shocks for me as a teenager by being apparently uncut. Put me off borstal as well... 




Films and Filming, July
Werner Herzog's Nosferatu sneaked into cinemas before the new Hollywood adaption of Dracula. Klaus Kinski starred with Isabelle Adjani and Bruno Ganz.




Film Review, August
Ralph Bakshi's animated version of The Lord of the Rings ploughed through half the story of the trilogy in two hours. Problem was, Bakshi wasn't allowed to complete the story and make a second film. I waited thirty years for Peter Jackson's films to find out how the epic story ended! This version is undoubtedly an influence on the Jackson trilogy, with many scenes, characters and even accents carried over to the live-action films.

Photoplay, August




Film Review, August
The first movie for The Muppets. The Muppet Show was a raging success on TV, so let's make a movie. While Muppets used basic puppetry, Jim Henson pushed what was technically possible far further in this and The Great Muppet Caper (1981), and on to the limit with the non-Muppet fantasy, The Dark Crystal (1982).

Note that this wordy advert was aimed at making sure the adults come and see it too.




Photoplay, August
"Star Wars with flying carpets...". Well. There are flying carpets in Arabian Adventure, but more importantly Peter Cushing and Christopher Lee!




Photoplay, August
Space adventure was big on TV and like Battlestar Galactica, the pilot movie for Buck Rogers in the 25th Century was also released in British cinemas, with a few extra, adult jokes.




Films Illustrated, September
Paul Schrader (above left) wrote and directed American Gigolo, casting Richard Gere (right) in the lead. The style and music of this story of an expensive male escort anticipated the 80s' obsessions with male fitness and grooming.




Film Review, September
Another BBC TV series with a big screen adaption, featuring Richard Beckinsale's final role. The actor passed away before the film appeared in cinemas. Note that the support film is the concert documentary about the first pop star from the west to perform in Russia. Elton John's recent Russian tour had a far rockier reception as he spoke out about the country's discriminatory laws against gay Russian citizens.




Film Review, September
A story of conspiracy and cost-cutting in the nuclear power industry, The China Syndrome was a fictional riff on elements of the Silkwood case (later filmed in 1983). This had an unexpected boost when a very similar meltdown event happened for real in Three Mile Island, two weeks after the US premiere!

Film Review, September
Fun to see Michael Douglas when he was young, hot, bearded and badly-dressed. But besides starring he also produced The China Syndrome. Note below the 16mm film camera was still being used for news gathering.

Photoplay, September




Films Illustrated, September
Drac's back! This time, as a big-budget adaption of the Broadway revival that played up the Count's sexuality but was subtle on fangs. Frank Langella repeated his stage role and this version was actually shot on location in England - but in Cornwall, not Whitby.


Dracula boasts Donald Pleasence as Dr Seward and Lawrence Olivier as Van Helsing (pictured below), with a lush score by John Williams (not pictured).

Film Review, October




Films Illustrated, September
The rush to use Harrison Ford as a leading man began as soon Star Wars was a hit. Presumably he wasn't yet fussy about scripts. Here he is with Lesley-Anne Down in the World War II romantic drama Hanover Street.






Advance publicity for The Village People movie Can't Stop The Music. Unfortunately the disco glitterball had burst by the time it was released the following summer.




Films and Filming, October
John Frankenheimer had made some superb films - The Manchurian Candidate, Seconds, Grand Prix, Birdman of Alcatraz, The Train... but Prophecy is far from his best. In fact, it's enjoyably terrible. With unconvincing rubber monsters, it compares badly to the far cheaper, earlier Grizzly for action and thrills. The lush cinematography and solid cast (Armand Assante, Talia Shire) work better as an eco-drama instead of a monster movie, with poor miniature work and a man-in-a-suit getting laughs even then.

Films and Filming, October





Alien's debut getting lost among the new releases. Ridley Scott wasn't yet a name, the cast wasn't 'A' list, the critics hadn't seen it yet...




Film Review, October
From the dates of these articles, and from what I remember, Scum and Quadrophenia both had standalone releases earlier in the year, but proved so popular that they quickly reappeared in this double-bill. Some bright spark eventually realised Ray Winstone was a highlight of both films, and That Summer and the star of the Scum TV play (1977) to name him a 'new face'...

Photoplay, November




Film Review, October
Any unused ideas that were too stupid for previous Airport films were then all thrown into this overloaded but entertaining disaster movie. The cockpit resembles an erotic dream with Sylvia Kristel (Emmanuelle) as an Air Stewardess and Alain Delon, the pilot.






'How to sell Alien' proved a problem for the sexy world of seventies' publicity. Sigourney Weaver's unflattering overalls has to be boosted by this glamorous model shoot...

Film Review, November
The Alien poster refused to give much away. It was a shock to finally see a full-length Alien in a photograph. More about the many early Alien magazines here.

Film Review, September


Film Review gave Alien a good spread inside, but another lousy front cover, lost amongst a Joan Collins sequel and a cheap Farrah Fawcett-Majors 'comedy'. The September release of Alien safely missed the Christmas duel of big-budget space movies...

Film Review, October
Alien's box office success meant that Film Review covered the film for a third month, this time with behind-the-scenes photos, including this rare upward angle of the full-size 'Navigator' set.

Film Review, November





In a spacey year, Francis Ford Coppola's Apocalypse Now finally hit cinemas. Marlon Brando's brief role was used heavily in the publicity. 




Films Illustrated, November
After the mammoth undertaking of the The Deep (1977), director Peter Yates probably fancied a smalltown drama with no special effects. Breaking Away is a cycling/coming-of-age comedy drama that gained him far better reviews. He was also ahead of the game with this young cast - pictured above are Jackie Earle Haley, Dennis Quaid, Daniel Stern and Dennis Christopher.




Film Review, November
The tape of things to come. Home video was still hugely expensive, the decks and the cassettes. But a lucky few could now watch family-favourites such as The Sound of Music and The Boston Strangler...




Photoplay, November
Cheech and Chong and, ahem, Stacy Keach in Up In Smoke. And Tom Skerritt has two movies in cinemas...




Film Review, November
Space wars! The battle of the Christmas movies! Star Trek - The Motion Picture opened in Leicester Square Odeon the day after The Black Hole opens at the Empire. But why choose? I saw both. To this day, I still consider The Black Hole a Christmas movie.

Films Illustrated, November
Films and Filming, October





All the movie magazine 'flashbacks' are linked in the sidebar at the right, as well as below...

Lawrence of Arabia and more from 1963

Blow Up, The Trip and more from 1967


Barbarella, Witchfinder General and more from 1968


Rosemary's Baby, When Dinosaurs Ruled The Earth, Women In Love and more from 1969


M*A*S*H, Myra Breckinridge and more from 1970


The Devils, Deep End, double-bills and more from 1971









January 29, 2014

Filming location: THE WARRIORS (1978) - return to Coney Island

The Warriors lobby card - on the boardwalk

This is all about The Warriors (1979) and probably not too interesting if you haven't seen it. Here's a taster of the images and characters from the film, if you want to seek it out. If you have seen it, you'll know that Coney Island is the Warriors turf, you dig? The safe home base they're trying to get back to.

Shot over 35 years ago, almost totally on location around New York City, The Warriors has dozens of filming locations that you can still visit because they've changed very little. 


Just after returning from New York in November last year, I found this blog, Nick Carr's Scouting NY, with this guide to every known location used in the film. Just my luck to find this article after I get back, and it also throws up information about the cheats used in the film, stations that didn't play themselves in the movie, even Coney cheated... (more later). A reminder that I should really watch films immediately before visiting their locations, but have you any idea how many films have been filmed in New York? I know I don't.


In terms of my own half-assed detective work, I've been to New York twice since seeing the film, and twice I visited Coney Island, in 2000 and 2013, hence my mix of analogue and digital photos. It's also a pleasant place to visit, being a tranquil, seaside break away from busy, busy Manhattan, yet only a subway ride away.

Besides the fun fair, there's the massive boardwalk stretching along the top of the beach, and a pier. The whole area was once ridiculously popular in the summer. Both our visits, the beach was deserted.




The Cyclone rollercoaster, 2000
A short walk from Coney Island station, just before you hit the beach, is the fun fair. Looking towards the sea, the Cyclone rollercoaster is at the far left of the fair. 


We rode this in 2000. It's rather old but still packs a punch - the element of danger amplified by its ancient-looking wooden structure! (Note that the observation lift was still there, and note the Astroland sign.)


I missed riding the Wonder Wheel in 2000, when the fair was called Astroland. Now it's all called Luna Park and, but was shut for the winter. Maybe I'll ride it next time. The fair took damage from Hurricane Sandy in 2012 (according to Wikipedia).

Luna Park, 2013
The Wonder Wheel symbolises Coney Island for the Warriors. The opening shot of the film is the Wonder Wheel at night. Super that it's still there. 2000 was a big year for Coney island. Besides our visiting, it was the location for Requiem For A Dream, directed by Darren Aronofsky who grew up in nearby Manhattan Beach.



Above, a screengrab from The Warriors: the road, the Cyclone at the end of the street and Wonder Wheel (far right) are still there now, but the orange-tipped observation tower and the foreground ferris wheel are now gone (my 2013 photo below).


Same angle, but only the Cyclone at the end of the road, and the Wonder Wheel remain.


On the boardwalk, this time around there was a cafe and a couple of gift shops - books of photos of how the fun fair used to look, and even a couple of items with The Warriors written on them (pounce).






Between our two visits, the Parachute Jump - the huge red tower of girders - had been completely dismantled and rebuilt. I remember Aronofsky saying in an interview that it had been torn down, but didn't hear it had gone back up again! 


Further along the boardwalk, there is now a parking lot, a lot overgrown with vegetation and then a sports stadium. Back in 2000, one of those lots was a second, larger, wooden rollercoaster - The Thunderbolt. Apparently it was dismantled later that year, so we only just caught it. I'm thinking it stood where the new stadium is now. 

2013: new stadium on the left, same overgrown grass next to it
I think The Thunderbolt rollercoaster was the setting for the final resting place of The Beast from 20,000 Fathoms. Of course, a friend living in New York has pointed out that while Beast was set in New York, it was all filmed in L.A.! The shots of the rollercoaster would have been visual effect shots (photographs?) and a Ray Harryhausen model. 


Another wrinkle in treading in The Warriors' footsteps is that, as pointed out in the Scouting NY article, the beach scenes don't match the beach at Coney Island! In the film, the beach is backed with sand dunes. But as you can see below, there are no sand dunes, just a flat, gentle slope right up to the Boardwalk. So where's the beach?





The wonderfully long end credits shot, looking along the beach, where they walk into the distance looks very much like the view you get from the present Coney Island pier. Here's me thinking of a happy ending.


The credits show two lines of rocks heading into the sea, along with a row of wooden stakes. My 2013 shot (below) seems to match pretty well - the wood has gone, but there are very similar lines of rocks. 


This was taken from the pier, but zoomed in a long way.


Slow zoom out


Zoomed out all the way - distant rocks barely visible

Coney Island makes me happy, but next time this blog means we can visit many more locations, like the site of the big gang meeting...

Scouting NY guide to The Warriors filming locations, with dozens of 'then and now' photos.

Coney Island on Wikipedia.

All photos by Mark Hodgson and David Tarrington